EDICIONES
The First Folio of Shakespeare, 1623 (The Norton Facsimile prepared by C. Hinman, New York, 1968).
Ed. M. R. RIDLEY (The Arden Shakespeare), London, 1954.
Ed. J. INGLEDEW (The New Swan Shakespeare), London, 1971.
Ed. E. JONES (The New Penguin Shakespeare), Harmondsworth, 1977.
Gen. eds. S. WELLS & G. TAYLOR, The Complete Works, Oxford, 1986.
Ed. M. SPEVACK (New Variorum Edition), New York, 1990.
Ed. D. BEVINGTON (The New Cambridge Shakespeare), Cambridge, 1990.
Ed. M. NEILL (The Oxford Shakespeare), Oxford, 1994.
Ed. J. WILDERS (The Arden Shakespeare, 3rd series), London, 1995.
ESTUDIOS
ADELMAN, J.: The Common Liar: An Essay on ‘Antony and Cleopatra’. New Haven, 1973.
BARROLL, L. J.: «Antony and Pleasure», J.E.G.P., 57, 1958, págs. 708-720.
BARTON, A.: «‘Nature’s piece against fancy’: the divided catastrophe in Antony and Cleopatra», en su Essays, mainly Shakespearean. Cambridge, 1994.
BLOOM, H.: Shakespeare: The Invention of the Human. London, 1999.
BRADLEY, A. C.: Oxford Lectures on Poetry. London, 1909.
BROWER, R.: Hero and Saint. Oxford, 1971.
BROWN, J. R. (ed.): Shakespeare: Antony and Cleopatra (Casebook Series). Houndsmill & London, 1968.
CANTOR, R A.: Shakespeare’s Rome. Republic and Empire. Ithaca & London, 1976.
CAPUTI, A.: «Shakespeare’s Antony and Cleopatra: Tragedy Without Terror», Shakespeare Quarterly, 16, 1965, págs. 183-191
CHARNEY, M.: Shakespeare’s Roman Plays: The Function of Imagery in the Drama. Cambridge, Mass., 1961.
COATES, J.: «The Choice of Hercules in Antony and Cleopatra», Shakespeare’s Survey, 31, 1978, págs. 42-52.
COLIE, R. L.: «The Significance of Style», en Shakespeare’s Living Art. Princeton, 1974.
DANBY, J. F.: «The Shakespearean Dialectic: An Aspect of Antony and Cleopatra», Scrutiny, XVI, 1949, páginas 198-208.
DOLLIMORE, J.: Radical Tragedy: Religión, Ideology and Power in the Drama of Shakespeare and his Contemporaries. New York & London, 1984.
DORAN, M.: Shakespeare’s Dramatic Language. Madison, 1976.
DRAKAKIS, J. (ed.): Antony and Cleopatra (New Case-books). Houndsmill & London, 1994.
ELIOT, T. S.: Selected Essays. London, 1976 (1932).
FELPERIN, H.: Shakespearean Representation: Mimesis and Modernity in Elizabeth Tragedy. Princeton, 1977.
FISH, H.: «Antony and Cleopatra: The Limits of Mythology», Shakespeare Survey, 23, 1970, págs. 59-67.
FITZ, L.: «Egyptian Queens and Male Reviewers: Sexist Attitudes in ‘Antony and Cleopatra’», Shakespeare Quarterly, 28, 1977, págs. 297-316.
GRANVILLE-BARKER, H.: Prefaces to Shakespeare. London, 1930.
HARRIS, D. S.: «“Again for Cydnus”: The Dramaturgical Resolution of Antony and Cleopatra», S.E.L., XVII, 2, 1977, págs. 219-231.
HIBBARD, G. R.: «Feliciter audax: Antony and Cleopatra, I,i,I-24», en P Edwards, I. S. Ewbank and G. K. Hunter (eds.), Shakespeare’s Styles. Cambridge, 1980.
HONIGMANN, E. A. J.: Shakespeare. Seven Tragedies. London, 1976.
JACKSON, R.: «The Triumphs of Antony and Cleopatra», Shakespeare Jahrbuch (West), 1984, págs. 128-148.
KAULA, D.: «The Time Sense of Antony and Cleopatra», Shakespeare Quarterly, 15, 1964, págs. 211-223.
LEGGATT, A.: Shakespeare’s Political Drama. London & New York, 1988.
LEE, R.: Shakespeare. Antony and Cleopatra. London, 1971.
LLOYD, M.: «Cleopatra as Isis», Shakespeare Survey, 12, 1959, págs. 88-94.
—: «The Román Tongue», Shakespeare Quarterly, 10, 1959, págs. 461-468.
MACCALLUM, W. M.: Shakespeare’s Roman Plays and their Background. London, 1910.
MIOLA, R.: Shakespeare’s Rome. Cambridge, 1983.
MUIR, K.: Shakespeare. Antony and Cleopatra. Harmondsworth, 1987.
OLIVA, S.: Introducció a Shakespeare. Barcelona, 2000 (ed. castellana: Introducción a Shakespeare. Barcelona, 2001).
RACKIN, R: «Shakespeare’s Boy Cleopatra, the Decorum of Nature, and the Golden World of Poetry», P.M.L.A., 87, 2, 1972, págs. 201-212.
REES, J.: «An Elizabethan Eyewitness of Antony and Cleopatra?», Shakespeare Survey, 1970, págs. 91-93.
RIEMER, A. P.: A reading of Shakespeare’s Antony and Cleopatra. Sydney, 1968.
ROSE, M. (ed.): Twentieth Century Interpretations of ‘Antony and Cleopatra’. Englewood Cliffs, N. J., 1968.
ROZETT, M. T.: «The Comic Structures of Tragic Endings: The Suicide Scenes in Romeo and Juliet and Antony and Cleopatra», Shakespeare Quarterly, 36, 1985, págs. 152-164.
SCOTT, M.: Antony and Cleopatra. London, 1983.
SIMMONS, J. L.: «The Comic Pattern and Vision in Antony and Cleopatra», E.L.H., 36, 1969, págs. 493-510.
—: «‘Antony and Cleopatra’ and ‘Coriolanus’, Shakespeare’s Heroic Tragedies: A Jacobean Adjustment», Shakespeare Survey, 26, 1973, págs. 95-101.
SPENCER, B. T.: «Antony and Cleopatra and the Paradoxical Metaphor», Shakespeare Quarterly, 9, 1958, págs. 373-378.
SPENCER, T. J. B. (ed.): Shakespeare’s Plutarch. Harmondsworth, 1964.
STIRLING, B.: «Cleopatra’s Scene with Seleucus: Plutarch, Daniel, and Shakespeare», Shakespeare Quarterly, 15, 1964, págs. 299-311.
TRAVERSI, D.: Shakespeare: The Roman Plays. London, 1963.
WADDINGTON, R. B.: «Antony and Cleopatra: “What Venus did to Mars”», Shakespeare Studies, 2, 1966, págs. 210-227.
WAITH, E. M.: The Herculean Hero. London, 1962.
WEIS, R. J. A.: «‘Antony and Cleopatra’: The Challenge of Fiction», English, XXXII, 142, Spring 1983, págs. 1-14.