Bibliografía seleccionada
JAN VAN EYCK, GANTE Y El retablo de Gante
- Baldass, Ludwig von, Jan van Eyck, Londres, Phaidon, 1952.
- Blom, J. C. H., y E. Lamberts (editores), History of the Low Countries, traducción inglesa James C. Kennedy, nueva edición, Nueva York, Bergahn, 2006.
- Bol, L. J., Jan van Eyck, traducción inglesa Albert J. Fransella, Londres, Blandford, 1965.
- Borchert, Till-Holger, Jan van Eyck, Londres, Taschen, 2008.
- Boulger, Demetrius C., The History of Belgium, 2 vols., Londres, Demetrius C. Boulger, 1902-1909, reimpresión, Boston, Adamant Media, 2001.
- Cammaerts, Emile, A History of Belgium from the Roman Invasion to the Present Day (1921), Ithaca, Nueva York, Cornell University Press, 2009.
- Campbell, Lorne, Fifteenth-Century Netherlandish Paintings, Londres, National Gallery, 1998.
- Chatelet, Albert, Jan van Eyck Enlumineur: Les «Heires de Turin» et de «Milan-Turin», Estrasburgo, Presses Universitaires de Strasbourg, 1993.
- Clark, Gregory T., Made in Flanders: The Master of the Ghent Privileges and Manuscript Painting in the Southern Netherlands in the Time of Phillip the Good, Turnhout, Bélgica, Brepols, 2000.
- Conway, William Martin, Early Flemish Artists and Their Predeccessors on the Lower Rhine, Londres, Seeley and Co., 1887.
- Cortemans, Paul, L’Agneau Mystique au Laboratoire: Examen et traitment, Amberes, De Sikkel, 1953.
- Dhanens, Elizabeth, Hubert and Jan van Eyck, Nueva York, Alpine Fine Arts, 1980
- Van Eyck: The Ghent Altarpiece, Londres, Allen Lane, 1973.
- Graham, Jenny, Inventing Van Eyck, Londres, Berg, 2007.
- Kris, Ernst, y Otto Kurz, Legend, Myth, and the Magic in the Image of the Artist, New Haven, Connecticut, Yale University Press, 1979.
- Mander, Karel van, Lives of the Illustrious Netherlandish and German Painters, ed. Hessel Miedema, Doornspijk, Países Bajos, Davaco, 1994.
- Nicholas, David, The Methamorphosis of a Medieval City: Ghent in the Age of the Arteveldes, 1302-1390, Lincoln, University of Nebraska Press, 1987; reeditado en Nueva York, ACLS Humanities, 2008.
- Panofsky, Erwin, Early Netherlandish Painting, Cambridge, Massachusetts, Harvard University Press, 1953.
- Philip, Lotte Brand, The Ghent Altarpiece and the Art of Jan van Eyck, Princeton, Nueva Jersey, Princeton University Press, 1972.
- Puyvelde, Leo van, Van Eyck: The Holy Lamb, Londres, Collins, 1947.
- Raspe, Rudolf Erich, A Critical Essay on Oil-Painting: Proving that the Art of Painting in Oil was Known Before the Pretended Discovery of John and Hubert van Eyck, Londres, T. Cadell, 1781.
- Renders, Emil, Hubert van Eyck, personnage de legende, París, 1933.
- Vasari, Giorgio, Lives of the Painters, Sculptors and Architects, traducción al inglés de Gaston du C. de Vere, Londres, Everyman’s Library, 1996.
- Wealee, W. H. James, Hubert and John van Eyck: Their Life and Work, Londres, 1908.
LA REVOLUCIÓN FRANCESA, NAPOLEÓN Y COLECCIONISMO
- Bazin, Germain, The Louvre, Londres, Thames and Hudson, 1971.
- Benoist-Méchin, J., Bonaparte en Égypte, ou le rêve inassouvi, París, Perrin, 1978.
- Dodge, Theodore Ayrault, Napoleon: A History of the Art of War, Nueva York, AMS Press, 1970.
- Englund, Steven, Napoleon: A Political Life, Nueva York, Scribner, 2004.
- Gould, Cecil, Trophy of Conquest: The Musée Napoléon and the Creation of the Louvre, Londres, Faber and Faber, 1965.
- Impey, Oliver, y Arthur MacGregor (editores), The Origins of Museums: The Cabinet of Curiosities in 16th and 17th Century Europe, Londres, House of Stratus, 2001.
- McClellan, Andrew, Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in 18th Century Paris, Cambridge, Cambridge University Press, 1994.
- Miles, Margaret M., Art as Plunder: The Ancient Origins of Debate About Cultural Property, Nueva York, Cambridge University Press, 2008.
- Meyer, Karl E., The Plundered Past, Londres, Hamish Hamilton, 1973.
- Passavant, Johann David, Tour of a German Artist in England, Londres, Saunders and Otley, 1836.
- Pearce, Susan M., On Collecting: An Investigation into Collecting in the European Tradition, Londres, Routledge, 1995.
- Pommier, Édouard, L’Art de la Liberté: Doctrines et débats de la revolution française, París, Gallimard, 1991.
- Poulot, Dominique, Musée, nation, patromonie, 1789-1815, París, Gallimard, 1997.
- Reynolds, Joshua, A Journey to Flanders and Holland, Cambridge, Cambridge University Press, 1996.
- Russell, Terence, The Discovery of Egypt: Vivant Denon’s Travels with Napoleon’s Army, Londres, History Press, 2005.
- Siborne, William, History of the War in France and Belgium in 1815, Londres, T. and W. Boone, 1848.
- Schom, Alan, Napoleon Bonaparte, Nueva York, HarperCollins, 1997.
- Vaughn, William, German Romanticism and English Art, New Haven, Connecticut, Yale University Press, 1979.
- Waagen, Gustav, Treasures of Art in Great Britain, Londres, John Murray, 1854.
- Walpole, Horace, Anecdotes of Painting in England, Strawberry Hill, Thomas Farmer, 1762.
EL ROBO DE LOS JUECES JUSTOS
- Bernauw, Patrick, Het Bloed van Het Lam, Amberes, Manteau, 2006.
- Mysteries van Het Lam Gods, Amberes, Manteau, 1991.
- De Roo, Maria, Vilains, original no publicado, 29 de noviembre de 2009.
- Esterow, Milton, The Art Stealers, Nueva York, MacMillan, 1966.
- Hammer-Kaatee, Karl, Satans Lied: De Jacht van de CIA op Jezus: Waargebeurd verhaal, Rijswijk, Países Bajos, Uitgeverij Elmar, 2006.
- McLeave, Hugh, Rogues in the Gallery: The Modern Plague of Art Thefts, Boston, David Godine, 1981.
- Mortier, Karel, De diefstal van de Rechtvaardige Rechters: Kriminologische studie, Amberes, De Vlijt, 1966.
- Dossier Lam Gods: Zoektocht naar De rechtvaardige rechters, Gante, Stichting Mens en Kultuur, 1994.
- Trix (documental), producido por KRO Reporter, Países Bajos; emitido en abril de 1994.
- Walters, Minette, «Whodunnik?», Daily Telegraph, Londres, 9 de noviembre de 1996.
PRIMERA Y SEGUNDA GUERRAS MUNDIALES
- Becker, Hans, Österreichs Freiheitskampf, Viena, Verlag der Freien Union der ÖVP, 1946.
- Benjamin, Walter, Das Passagen-Werk, Berlín, Suhrkamp, 1982.
- Bibliotheka Rosenthaliana, The Return of the Looted Collections 19461996, Amsterdam, University of Amsterdam Library, 1997.
- Bode, Wilhelm von, Die Meister Der Hollandischen und Vlamischen Malerschulen (1919), Whitefish, Massachusetts, Kessinger, 2009.
- Brey, Ilaria Dagnini, The Venus Fixers: The Untold Storie of the Allied Soldiers Who Saved Italy’s Art During World War II, Nueva York, Farrar, Straus and Giroux, 2009.
- Cassirer, Bruno, y Paul Cassirer, Kunst und Kunstgewerbe am Ende des Neunzehnten Jahrhunderts von Wilhelm Bode, Whitefi sh, Massachusetts, Kessinger, 2010.
- Chamberlain, Russell, Loot! The Heritage of Plunder, Londres, Facts on File, 1983.
- De Jaeger, Charles, The Linz File: Hitler’s Plunder of Europe’s Art, Londres, Webb & Bower, 1981.
- De Ville, Jean Baptiste, Back from Belgium: A Secret History of Three Years Within the German Lines, Nueva York, H. K. Fly, 1918, reeditado por Nabu Press, 2010.
- Duberman, Martin, The Worlds of Lincoln Kirstein, Nueva York, Knopf, 2007.
- Edsel, Robert, y Brett Witter, Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History, Nueva York, Center Street, 2009.
- Feliciano, Hector, The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art, Nueva York, Basic Books, 1997.
- Flanner, Janet, Men and Monuments, Nueva York, Harper, 1957.
- Gaiswinkler, Albrecht, Sprung in die Freiheit, Viena-Salzburgo, Ried-Verlag, 1947.
- Gheyn, G. van den, «Les tribulations de l’Agneau Mystique», Revue belge d’archéologie et d’histoire de l’art 15 (1945): 25-46.
- Gilbert, Martin, The First World War: A Complete History, Nueva York, Holt, 2004.
- Göhringer, Walter, y Herbert Hasenmayer, Zeitgeschichte, Viena, Hirt-Verlag, 1979.
- Harclerode, Peter, y Brendan Pittaway, The Lost Masters: The Looting of Europe’s Treasurehouses, Londres, Gollancz, 1999.
- Hartt, Frederick, Florentine Art Under Fire, Princeton, Nueva Jersey, Princeton University Press, 1949.
- Hasse, Günther, Kunstraub und Kunstschutz, Norderstedt, Alemania, Satz, Herstellung, 2008.
- Howe, Thomas C., Salt Mines and Castles: The Discovery and Restitutions of Looted European Art, Nueva York, Bobbs-Merrill, 1946.
- Hugh Smyth, Craig, Repatriation of Art from the Collecting Point in Munich After World War II, Nueva York, Abner Schram, 1989.
- Kammerstätter, Peter, Material-Sammlung über die Widerstands und Partisanenbewegung Willy-Fred im oberen Salzmmergut-Ausseerland 1943-1945, Linz, Eigenverlag, 1978.
- Kirstein, Lincoln, The Poems of Lincoln Kirstein, Nueva York, Atheneum, 1987.
- Rhymes of a PFC, Nueva York, New Directions, 1964.
- Kubin, Ernst, Sonderauftrag Linz, Viena, ORAC, 1989.
- Kurtz, Michael J., America and the Return of Nazi Contraband: The Recovery of Europe’s Art Treasures, Cambridge, Cambridge University Press, 2006.
- Leckie, Bill, «Special Duties of the 148 Squadron», Military Illustrated, abril de 2002.
- Lipkes, Jeff, Rehearsals: The German Army in Belgium, august 1914, Lovaina, Bélgica, Leuven University Press, 2007.
- Luza, Radomir, Ressistance in Austria, 1938-1945, Minneapolis, University of Minnesota Press, 1984.
- Mackenzie, William, The Secret History of S.O.E.: Special Operations Executive 1940-1945, Londres, St. Ermin, 2000.
- McIsaac, Peter M., Museums of the Mind: German Modernity and the Dynamics of Collecting, State College, Pensilvania State University Press, 2008.
- Melden Otto, Der Ruf des Gewissens. Des österreichische Freiheitskamp 1938-1945, Viena, Herold, 1958.
- Michel, Hermann, Bergungsmanahmen und Wiederstandbewegung, vol. 56, Viena, Annales des Naturhistorischen Museums, 1948.
- Mihan, George, Looted Treasure: Germany’s Raid on Art, Londres, Alliance, 1942.
- Nicholas, Lynn H., The Rape of Europe: The Fate of Europe’s Art Treasures in the Third Reich and the Second World War, Nueva York, Vintage, 1995.
- Ohlsen, Manfred, Wilhelm von Bode: Zwischen Kaisermacht und Kunsttempel, Berlín, Gebr. Mann, 2007.
- ORF-Nachlese (Viena) 2 (1983).
- Petropoulos, Jonathan, Art as Politics in the Third Reich, Chapel Hill, University of North Carolina Press, 2000.
- The Faustian Bargain: The Art World in Nazi Germany, Oxford, Oxford University Press, 2000.
- Pichler, Cathrin, y Roman Berka, TransAct: Transnational Activities in the Cultural Field, Nueva York, Springer, 2010.
- Plieseis, Sepp, Vom Ebro zum Dachstein: Lebenskampf eines österreischen Arbeiters, Linz, Neue Zeit, 1946.
- Pöchmüller, Emmerich, Weltkunstchätze in Gefahr, Salzburgo, Pallas-Verlag, 1948.
- Rayssac, Michel, L’Exode des Musées: Histoire des oeuvres d’art sous l’Occupation, París, Éditions Payot et Rivages, 2007.
- Reder, Christian, «Im Salzberwerk», Falter Verlag (Viena) 1 (1985).
- Libro rojo-blanco-rojo: Justicia para Austria, Viena, Editora del Estado Austríaco, 1947.
- Rorimer, James, Survival: The Salvage and Protection of Art in War, Nueva York, Abelard Press, 1950.
- Shirer, William, The Rise and Fall of the Third Reich, Londres, Book Club, 1983.
- Simon, Matila, The Battle of the Louvre: The Struggle to Save French Art in World War II, Nueva York, Hawthorne, 1971.
- Slapnika, Harry, Oberösterreich als es «Oberdonau» hi (1938-1945), Linz, OÖ Landesverlag, 1978.
- Topf, Christian, Auf den Spurren der Partisanen, Zeitgeschichtliche Wanderungen im Salzkammergut, Edition Geschichte der Heimat, 3.ª edición, Grünbach, Alemania, Franz Steinmassl, 2006.
- Treue, Wilhelm, Art Plunder, Londres, Methuen, 1960.
- Valland, Rose, Le Front de l’Art: 1939-1945, París, Librarie Plon, 1961.
- Warmbrunn, Werner, The German Occupation of Belgium 19401944, Nueva York, Peter Lang, 1993.
- Witte, Els, Jan Craeybeckx y Alain Meynen, Political History of Belgium from 1830 Onwards, Bruselas, VUB Brussels University Press, 2000.
- Woolley, sir Leonard, A Record of the Work Done by the Military Authorities for the Protection of the Treasures of Art and History in War Areas, Londres, HMSO, 1947.
- Yeide, Nancy, Beyond the Dreams of Avarice: The Hermann Göring Collection, Dallas, Laurel, 2009.
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